thread of audio abominations and various heresies.
- cxwx
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Re: thread of audio abominations and various heresies.
Cross reference with Smegma thread.
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Re: thread of audio abominations and various heresies.
I started fixing it but most of them are actually gone from youtubefeatherboa wrote: ↑Mon Dec 07, 2020 1:43 pmwas attack attack one of the first bands in this thread?
the first page is all broken
if you're really dedicated you can google the unique part of the URL
e.g. AfQoLvSuoX4 Paramore covering The Cure's "In between days"
and indeed there's a fresh upload... from 2013... which is newer than the 2012 post itself
I'm just so tired
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Re: thread of audio abominations and various heresies.
no attack attack on the first page - I think they were firmly in ragman territory before the thread was born
this was an early post, though
and I guess we have an update
wardrobe by frequently purchased together
this was an early post, though
and I guess we have an update
wardrobe by frequently purchased together
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Re: thread of audio abominations and various heresies.
well thanks for the paramore link anyways <3
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Re: thread of audio abominations and various heresies.
you have the power to quote posts and pull youtube identifiers
it was you all along
it was you all along
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Re: thread of audio abominations and various heresies.
Google it. My name is "Varg Vikernes".
I have 8 children.
I have 8 children.
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Re: thread of audio abominations and various heresies.
all the "new" music he's hating on is already ten fucking years old.
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Re: thread of audio abominations and various heresies.
Google it. My name is "Varg Vikernes".
I have 8 children.
I have 8 children.
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Re: thread of audio abominations and various heresies.
I saw this a little while ago. Absolutely fucking terribly unfunny.
I still like BP but this is fucking rough.
livid dealer wrote: ↑Sat Jun 12, 2010 2:31 am DIO NEVER JUMPED ON WHAT WAS POPULAR (THE PROVERBIAL BANDWAGON)
AND DIO DIDNT FUCK GUYS
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Re: thread of audio abominations and various heresies.
I know that that's the "joke" of the song, that the shit he's naming is already old, but it really feels like he wrote/recorded a demo 10 years ago and didn't want to write new lyrics so they made up a final "verse" to rectify it. I love when he shows up on shows or movies but his songs are fucking terrible.
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Re: thread of audio abominations and various heresies.
They should seriously go to jail for this. I know they'll probably get their most youtube hits ever because it's an ironic cover of a song that people barely remember from 20 years ago, but fuck this fucking hack garbage bullshit band. Awful.
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Re: thread of audio abominations and various heresies.
he said "kill my life in a million pieces" ahahah
livid dealer wrote: ↑Sat Jun 12, 2010 2:31 am DIO NEVER JUMPED ON WHAT WAS POPULAR (THE PROVERBIAL BANDWAGON)
AND DIO DIDNT FUCK GUYS
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Re: thread of audio abominations and various heresies.
watched the whole thing
fuck
fuck
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Re: thread of audio abominations and various heresies.
Immolation shirt at 00:28?
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Re: thread of audio abominations and various heresies.
https://www.sacredbonesrecords.com/coll ... the-unborn
Luca Yupanqui was not yet born when she recorded her debut album. The music on the aptly titled Sounds of the Unborn is the expression of life in its cosmic state — pre-mind, pre-speculation, pre-influence, and pre-human. It is the first album created by a person while they were still inside the womb, the expression of a soul that hasn’t yet seen the light of day nor taken a single breath of air. It is a message that comes from a different realm, a sublayer of our existence.
Sounds of the Unborn was made with biosonic MIDI technology, which translated Luca’s in utero movements into sound. With the help of her parents, Psychic Ills bassist Elizabeth Hart and Lee "Scratch" Perry collaborator Iván Diaz Mathé, Luca’s prenatal essence was captured in audio. They designed a ritual, a kind of joint meditation for the three of them, with the MIDI devices hooked to Elizabeth’s stomach, transcribing its vibrations into Iván’s synthesizers. They let the free-form meditations flow without much interference, just falling deeper into trance and feeling the unity. After five hour-long sessions, the shape of an album began to emerge. Elizabeth and Iván then edited and mixed the results of the sessions, respecting the sounds as they were produced, trying to intervene as little as possible, allowing Luca’s message to exist in its raw form.
Elizabeth and Iván mixed the album in 2020. Luca, now an infant, sat in the studio with them while they worked. Her awareness of what was happening was astounding. She would open her eyes wide and stare at her parents, seemingly recognizing her own sounds from the womb, knowing that they were revisiting those rituals that made them come together as one. Those mixing sessions were technically the first time Luca had heard her own music, but her reaction made it clear that that wasn’t really the case — she had already lived it.
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Re: thread of audio abominations and various heresies.
Holy christ...
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- cxwx
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Re: thread of audio abominations and various heresies.
Who the fuck is the person housing this fetus, ecovegan gal?Foot Foot wrote: ↑Wed Feb 03, 2021 7:30 am
https://www.sacredbonesrecords.com/coll ... the-unborn
Luca Yupanqui was not yet born when she recorded her debut album. The music on the aptly titled Sounds of the Unborn is the expression of life in its cosmic state — pre-mind, pre-speculation, pre-influence, and pre-human. It is the first album created by a person while they were still inside the womb, the expression of a soul that hasn’t yet seen the light of day nor taken a single breath of air. It is a message that comes from a different realm, a sublayer of our existence.
Sounds of the Unborn was made with biosonic MIDI technology, which translated Luca’s in utero movements into sound. With the help of her parents, Psychic Ills bassist Elizabeth Hart and Lee "Scratch" Perry collaborator Iván Diaz Mathé, Luca’s prenatal essence was captured in audio. They designed a ritual, a kind of joint meditation for the three of them, with the MIDI devices hooked to Elizabeth’s stomach, transcribing its vibrations into Iván’s synthesizers. They let the free-form meditations flow without much interference, just falling deeper into trance and feeling the unity. After five hour-long sessions, the shape of an album began to emerge. Elizabeth and Iván then edited and mixed the results of the sessions, respecting the sounds as they were produced, trying to intervene as little as possible, allowing Luca’s message to exist in its raw form.
Elizabeth and Iván mixed the album in 2020. Luca, now an infant, sat in the studio with them while they worked. Her awareness of what was happening was astounding. She would open her eyes wide and stare at her parents, seemingly recognizing her own sounds from the womb, knowing that they were revisiting those rituals that made them come together as one. Those mixing sessions were technically the first time Luca had heard her own music, but her reaction made it clear that that wasn’t really the case — she had already lived it.
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