my friend sent me that thinking it would enrage me too but i don't think its bad
thread of audio abominations and various heresies.
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Re: thread of audio abominations and various heresies.
my friend sent me that thinking it would enrage me too but i don't think its bad
Google it. My name is "Varg Vikernes".
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I have 8 children.
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Re: thread of audio abominations and various heresies.
Boring post punk with black metal aesthetics, and shitty production.
There is more cringy stuff for sure, but this is awful.
There is more cringy stuff for sure, but this is awful.
Fact #7
From an empirical viewpoint, the problem with Free Will (and causality) is reconciling determinism and freedom to make sense of morality.
From an empirical viewpoint, the problem with Free Will (and causality) is reconciling determinism and freedom to make sense of morality.
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Re: thread of audio abominations and various heresies.
Oh stopppp it's fine
But yeah that specific track sounds basically like 'necro' the spits
But yeah that specific track sounds basically like 'necro' the spits
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Re: thread of audio abominations and various heresies.
but also lololol
Google it. My name is "Varg Vikernes".
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I have 8 children.
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Re: thread of audio abominations and various heresies.
The Mongoose...
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Re: thread of audio abominations and various heresies.
it'd be cool if this guys like 27
Google it. My name is "Varg Vikernes".
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Re: thread of audio abominations and various heresies.
I guess people are really mad about this?
x-post irrational anger for me even knowing about this guy now
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Re: thread of audio abominations and various heresies.
Fact #7
From an empirical viewpoint, the problem with Free Will (and causality) is reconciling determinism and freedom to make sense of morality.
From an empirical viewpoint, the problem with Free Will (and causality) is reconciling determinism and freedom to make sense of morality.
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Re: thread of audio abominations and various heresies.
This is pretty much how I imagine record producers hear music
Fact #7
From an empirical viewpoint, the problem with Free Will (and causality) is reconciling determinism and freedom to make sense of morality.
From an empirical viewpoint, the problem with Free Will (and causality) is reconciling determinism and freedom to make sense of morality.
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Re: thread of audio abominations and various heresies.
This popped into my head for the first time in 20 years. Don't think I've heard this since 9th grade.
This really isn't a completely shitty song, it's more of a weird eccentric curiosity. I think this guy was in the kottonmouth kings or something... absolutely bizarre. Socially conscious nu-metal. Poking through his other songs on youtube, what interested me was how the tracks are pretty detailed from a production standpoint, especially for this dogshit genre. But they're really almost not "songs", it's more of a flat bedrock for him to yell his political ideas in a semi-rap. Like does this thing have verses and choruses? KINDA??
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Re: thread of audio abominations and various heresies.
This one is actually pretty catchy. The juggalo mudvayne clothes fucking RULE.
A lot of these songs have a section (0:7, 1:22, and 2:14) where the music stops and he yells a facebook status update into the camera.
If you stick around, he criticizes the gangstas in the 2nd verse - very balanced!
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Re: thread of audio abominations and various heresies.
Ahaahaha the guitar scratching
I feel fucking bad laughing at these people sometimes
I feel fucking bad laughing at these people sometimes
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Re: thread of audio abominations and various heresies.
Some absolute gems in here
The Philadelphia-based duo GHÖSH has an origin story that suits its thumb-nosing and transgressive sound: “Zach [Fairbrother] and I met working at a pizza restaurant in Philly,” remembers vocalist Symphony Spell. “He got in trouble for playing a Korn song and it pissed off some customers enough to leave a bad Yelp review. I thought that was so funny, and I was like, I need to be friends with this guy.” As the band that coincidentally brought them together might indicate, the two fast friends shared a mutual love of music often disdained in more respectable indie circles, particularly nu-metal. Even beyond Limp Bizkit and Korn, the members of GHÖSH share a mutual sense of taste that’s equally omnivorous and adventurous. You can clearly hear that diverse range of influences in their distinctive style, which scrambles rap-rock, rave, DIY punk, and experimental electronic into an explosive vortex.
GHÖSH describes their own sound as “nü jungle US grime phonk,” but just when you think you’ve got their music pinned down, it gleefully swerves into an unexpected lane. No matter what style they’re pulling from, the group’s new EP PRISSMASSIVE is a non-stop high-energy experience that forces you to move, fusing electronic subgenres like drum n’ bass and gabber with big guitar riffs and biting lyrics. The ensuing collision is unrestrained digital hardcore, all fast rap flows and furious breakbeats. halfway between the stadium and the basement; PRISSMASSIVE plays something like a distorted compilation of jock jams played at the blood rave from Blade.
Symphony’s previous work as a DJ and Zach’s years of experience playing in bands in Philadelphia’s thriving DIY scene make for a group that’s keenly attuned to the radical possibilities of live performance. When the time is right and tempo is fast enough, Symphony transforms into a party conductor and vibes curator holding the crowd in the palm of her hand. A seasoned performer who remains open to instinct and intuition, Zach functions as a versatile one-man band, striking a unique balance between programmed beats and in-the-moment improvisation. The project is a total collaboration like few others, not just between Zach and Symphony but between GHÖSH and their audience, as each side thrives off exchange of creative energies.
GHÖSH draws out the humor that’s long been part of dance music culture but often goes overlooked, like in their playful flip of the raunchy club classic “Short Dick Man” on “Dick” The group’s name, after all, is a tongue-in-cheek twist on the word “Gauche,” a concept they thoroughly embrace in their love of all things extreme and over-the-top. But their music isn’t pure escapism either — tracks like “Get Ready to Die” channel a righteous political rage, embodying the anti-establishment and utopian spirit that’s so foundational to rave culture and dance music. GHÖSH might seem like merry pranksters, but there’s a deep feeling of cathartic release to their immersive performance style and hybrid sound. The influences are wide-ranging and unexpected, from Three 6 Mafia to 808 State, but the end result can’t be described as anything but pure Ghösh.
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